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By Hole Ousia Posted on February 1, 2016January 24, 2023

Omphatyp’

Derivation of “Omphatyp”: ◾[Ompha] – from Omphalos, the centre, the belly, where until umbilically cut, we have home. Belly, also suggesting “gut reaction”. ◾[Typ] – from Typos, a blow, impression, … Continue reading Omphatyp’

Categories: Architecture, Bridge of Allan, Family history, gardens, Medical humanities, Omphalos films, Orchards, Philosophy, Poems, Scotland, This is Not yesterday, Two culturesTags: "Concrete poetry" was noted for the spatial placement of the words and numbers, a blow, a made-up word, a subjective record that may include anything, also suggesting "gut reaction", angels, by means of yet a fourth kind of vision, C.P. Snow, calotypes, calotyps being the images of pioneers, Concrete poetry, courage to care, Derivation of “Omphatyp”, disobey chronological time, F R leavis, from Omphalos, from Typos, gates, gateways, gentle gardener, gut reaction, Hole Ousia, Ian Hamilton Finlay, image or figure., impression, Incorrigibly plural, It is by living we learn, Language is the dwelling place of being, Little Sparta, Little Spartan, Medical strays, multifarious learners, Omphalos, Omphalos films, Omphatyp, Omphatyps challenge the separation of the two cultures: Arts and Sciences. And why only two?, Omphlalos, Patrick Geddes, Peter Gordon, Peter's poems, Peter's short films about multifarious learners, Renaissance of polymaths, sapere aude, shadows, the belly, the centre, The Gentle Gardener, The Third culture, This intrinsic typography was developed as an art-form by Ian Hamilton Finlay, Two Cultures, Two Cultures and the Scientific Revolution, umbilicus, Uncle Feedle's fourth kind of vision:, Vivendo Discimus, we are surely very narrow if we understand only one culture (they talk of two cultures - but it seems to me there are twenty two. And all of value), where until umbilically cut we have home, where words and numbers can be re-arranged, Where words and numbers have an equal place in understanding

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